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best of 2012
At the end of the day, just like about every other comics creator out there, I think of myself as primarily a fan of comics. Yeah I spend my free time working on this whole On the Verge project, but I also really love to read good comics. What I’ve learned over the years is that “good” comics are pretty hard to come by.
Last year I posted about the best graphic novels that I felt I’d read in 2011 and I thought it might be fun to revisit this idea but instead cover the Best Comics of 2012 (comics, webcomics and graphic novels). So what have I read this year that I absolutely loved?
Tale of Sand by Ramón Pérez (based on a screenplay by Jim Henson and Jerry Juhl)
This graphic novel, to me, really demonstrates what the comics medium can really be. This book won all sorts of awards and rightly so. The artwork is stunning and it really uses illustration and visual language is a way that enhances the story. I wish there was more stuff like this out there since I think it helps push the comics medium to something more literary. Probably the best thing I read all year.
Delilah Dirk by Tony Cliff
I forget how I exactly found this one but I’m glad that I found it. DELILAH DIRK AND THE TURKISH LIEUTENANT is available online as a webcomic (and soon coming in print!) and DELILAH DIRK AND is available as a free preview online and as a printed comic. This is probably one of my absolute faves from the year and really makes me think of Disney cartoons growing up and the stories are such a good balance of action, comedy and light hearted fun (with a hint of danger). Probably more all ages than a lot of the stuff I read, I’d definitely recommend this to everyone.
The Mire by Becky Cloonan
Last year Cloonan made my list with her self published work WOLVES and this year she’s got a new effort equally as stunning. THE MIRE is beautifully crafted and really shows what a single creator can do. I’ve enjoyed Cloonan’s work on BATMAN and CONAN this year, but the black & white artwork in THE MIRE really let’s her brushwork shine through in ways that the fully coloured comics just can’t.
The Bean by Travis Hanson
Maybe the one true webcomic on this list, I had always meant to get around to actually reading THE BEAN. Travis was a member of the Making Graphic Novels forum that I joined a couple of years back when I started On the Verge and I really liked the sound of his story – I just never found the time to sit down and read it. This year I was looking for something new and remembered THE BEAN and over the course of a couple of days read it from the beginning. The story is epic, awesome and complex, layering in all sorts of plot points and keeps you engaged. The only problem: is ongoing. But that’s all the more reason to jump on now.
RASL by Jeff Smith
I recommended RASL about a month ago in a post and I’ll stick by that recommendation. This is hands down one of the best stories that I read all year. If you’re familiar with Smith’s work on BONE then you’re in for a treat as RASL heads off in the unexpected direction of a Sci-fi, crime noir story.
Hellboy (collected editions 1-7) by Mike Mignola
I remember reading HELLBOY back when I was a teenager and maybe not really getting it. Flash forwards 15 years or so and I decided to the series again when I was looking for something new to read. There are definitely some high and low points over the collected editions, but when Mignola finally settled into a groove with the writing this series is fantastic. The short stories are some of my favourites and I’m sure I’ll keep going back to re-read them for a while now.
Kabuki – the Alchemy by David Mack
Who’s not a fan of David Mack’s artwork? He’s been developing the Kabuki story for well over a decade at this point but THE ALCHEMY takes things to a whole new level. Mack’s use of icons and symbols combined with his various illustration techniques really push the boundaries of visual communication in comics. While not everything is brand new in this book (if you’ve read other Kabuki stories you’ll definitely see some similar storytelling techniques), I think the completeness of this novel really make it worth the effort.
Batman (New 52)
This is the only really “corporate” comic on my list and one of the only comics that I pick up every month. Here’s the thing: it’s a great comic and the creative team working on it is really turning out high quality stuff. In fact, I can’t really imagine the book without the key members: Scott Snyder (writing), Greg Capullo (pencils), Jonathan Glapion (inks), FCO (colours). I tend to read comics that are produced by single creators who may have help but mainly produce the work by themselves. The BATMAN team continues to churn out great stories.
So, what do you think? What were the best comics you’ve read in 2012? I’m always looking for something new to read so feel free to share!
it’s a long way down
I think I’ll keep this short today because it’s going to be a pretty busy week with a number of posts. The story so far is progressing right along and it will get interesting shortly. Promise.
*****
Alright, reminder time…
- Don’t forget that we’ll be on holidays until after this week and posts will resume on January 8th.
- This week I’ve got a bunch of posts similar to what I did last year to kind of wrap up the year. I think they’re kind of interesting so check ‘em out.
- And the INTERVIEW will continue this week with it’s normal post before taking 2 weeks off as well.
i’m currently digging…
So a couple of weeks back now I posted about influences and I mentioned that influences are a big part of any artists makeup. One of the things that I find interesting about influences is how they change as time goes by. I mean right now I’m currently really into this artwork and comics stuff:
- the old Image stuff by Todd McFarlane, Marc Silvestri and Eric Larson
- Bone and RASL artwork by Jeff Smith
- Paul Smith
- Mike Mignola
I know that this is a crazy mix of stuff, but I’m always interested in seeing how I can mix simplicity in drawing with detail as well as expressionistic drawing. Ever since I started reading Hellboy again I’ve really been wondering how I can use blacks better in my artwork. Mignola does such a good job of using blacks to help accentuate the overall design of this pages and I think you’ve not only seen the influence of that already, but will definitely see more of that as I go.
The thing is, these influences change all the time. I’ve been reading Hellboy, Bone, RASL and Leave it to Chance so that’s probably they are current influences, but I have no reason why the early Image guys are back on my radar. It’s fun to dig through their work after all these years and it gives me a much better appreciation for what they were doing now that I have a larger knowledge base (for design and illustration) to draw from.
The top of the mountain?
Things are progressing nicely and maybe we can finally get some answers. Man that Lucas guy can be pesky, can’t he?
*****
You know, some weeks it feels like all I do is work on this project and then there’s last week where it was the furthest thing from my mind. I should point out that this actually bugs me a bit because I feel like I’m at a good point with things and the next step is to really dig in and get a bunch of pages done.
Last week seemed to be all about everything else that could possibly happen and I even got sick for the first time in about a year and a half. The normal comic posts went up but things got in the way of getting a blog post up. Anyway, next week – I hope – is going to be full of posts and we can end 2012 with a full schedule.
*****
If you’ve been following along with me for a while you may have read my recommended plug for reMIND (if you haven’t you should!). Anyway, I wanted to post a quick note that it’s now available on Comixology if you’re into the whole digital comic thing and can’t get a copy of the printed book anymore. Check it out.






